The
Imagination
I.A.Richards.
1) Introduction:-
Literary Criticism has found itself as an important and independent
branch in established new horizons. A number scholar have emerged as a critics
and interpreted literature in order to help a common reader I.A .Richards and
T.S.Eliot are considered as “ The Father of New Criticism”. I.A.Richards has
contributed in the development of literary criticism by his distinctive essay
like his practical criticism ,four types of meaning imagination and many other
.At present we are concerned with his view on the imagination.
Six Sense of Imagination
According to
I.A.Richards we can define the term ‘Imagination’ at least in six distinct
sense. He discusses various meanings and concepts of the same term and then considers
a particular concept the most important. According to I.A.Richards, it is
convenient to separate than before passing on the consider the work which is important.
1)
Production of Image :-
The First concept of the
imagination is very common and that is production of various image usually visual
images. The Production of various images and visual images are the most common
and the most interesting thing which is referred by imagination.
2)
The use of figurative Language
Another concept of
the imagination is use of figurative language. People who naturally employ,
Metaphor and simile especially when it is of an “unusual kind “are same to have
imagination. It should not be over looked that metaphor and simile to which may
be considered together. They have great variety of function in speech. This is
most common scientific use of metaphor. It is in emotive language and in
poetry.
For
example
Shelly’s “Dome of many Colored
glass”
It is only
example which spring to mind. Some attitude of speaker to his subject or to his
audience is using the metaphor as a tool of expression.
Gibbon said
“The freedom of writing has indeed
provoked a strict tribe but as a I was safe from the stings. I was seen
accustomed to the buzzing of the honest.
There are few metaphors
whose effect can be traced to the logical relation. Metaphor is a method by
which a great variety of elements can be brought in the experience.
3) The
Narrative Sense:-
A Narrower sense is
that in which sympathetic reproduction other people’s state of mind.particular
their emotional state of mind is such imagination can be found in play. The
dramatist says that the critic who thinks that is behaving unnaturally.
This kind of the imagination
is plainly a necessity for communication bed plays to be successful require it
as much as good play.
4)
Inventiveness Imagination:-
It is another important sense.
It is brings element together which are not connected. According to this ‘
Edison’ is said to have imagination and any fantastic romance will show it in ‘
Excelsis’.The crazy people will beat us at combining old ideas.
5) The
Scientific Imagination:-
Fifth
concept according to I.A.Richards is the scientific imagination. This is an
order of experience in definitive ways and definite end purpose not necessary deliberate
and conscious but limited to given field. The Technical victory of the art is
the example of this kind of imagination.
6) The
Sense of Musical Delight (Coleridge)
Finally we come to the sense of
imagination with which we are here most concerned. It is closely concerned. It
is closely connected with Coleridge’s concept of imagination. It is Coleridge’s
great contribution to critical theory. In his words imagination means….
“That Synthetic and magical
power to which we have exclusively
appropriated the name of imagination…”.
It is a sense
of novelty and freshness with old and familiar objects, a more than usual
states of emotion, with more that usual order. The sense of musical delight,
and modifying a series of thoughts by someone per-dominant thought feeling
these are gifts of imagination.
In Describing the poet we
laid stress upon the availability of his experience , upon the width of the
field and the completeness of the response which we can make compared with him
the ordinary man control nine- tenths of his spirit because he is an incapable of managing them
without confusion. To Point out that ….
“The Sense of musical delight is a
gift of the imagination.”
Was one of Coleridge’s most
brilliant feat.
Ø Analysis
of Tragedy:-
I.A.
Richards further discuss about employing imagination .In literature he gives
example of tragedy where, he express that there is balanced of opposite and
discordant qualities.
We have suggested that imagination produces effects similar to those
which a company crisis in experience.
For example Tragedy is the easiest to analysis. It is necessary to know
that there is no connection in the tragic experience .The mind does not protect
itself with any illusion. The mind stands unforted, alone and self-reliant.
Richards states that….
“ There is balanced of opposite and discordant qualities ,pity and
terror are brought in tragedy which they find nowhere else.”
Ø Suppression and sublimation:-
Suppression
and sublimation are the tools by which we try to avoid issues which might
confuse us. The sense of tragedy is forces us to live for a moment without
them. When we succeeded we find that there is no difficulty came from
suppression and sublimation.
The Joy is not the injection that “All is right with words” or “Somehow
there is jusitice”.It is and indication that all is right here and how in the
nervous system because tragedy is experience and invites this excuse. It is the greatest and rarest thing in
literature that is why “Romeo and Juliet” is not a tragedy in the sense king
Lear is.
In
Tragedy there are terror and pity, horror and dread, regret and shame which
show the adjectives pitiable in the place of ‘Piteous’. It is the relation
between two set of passion and that is pity and terror which is the
characteristic of tragedy. Pity and Terror are opposite in the sense in which
dread are not Dread and Horror are not dread or horror are nearest then terror
and pity because they cannot attract as
well as hate each other.
Although for most people the
experience of watching tragedies are infrequent from the arts. The most important general condition is mental health, a high state of ‘Vigilance’.
Despite of all these difference
there is certain general similarity which has lead to the legends of the ‘Aesthetic’
State….
‘Aesthetic emotion and the single quality
beauty”.
Ø Impulses
in poetry:-
There are two
ways in which impulses may be organized.
1)By
Exclusion and Inclusion
2)By
Synthesis and Elimination:-
A very great deal of poetry and art is its
content with specific emotion like joy, sorrow, pride, love, admiration mood etc and such art has its own value and
its own place in human affairs. No one will quarreler with
Break……. Break……Break
Or
with he coronach
Or
Rase Aylmer or love philosophy.
But they are not the greatest kind of poetry. We do
not expect from them what we find in ‘Ode to nightingale, proud maisie, sir
Petrie’s Spans’.
“The Definition of love” or in “The Nocturnal
upon S.Lycie’s day”.
The structure of this two kind of experience are
different a poem of the first group is built
out of sets of of impulse which run parallel in the poem of second group
there are the most Extraordinary impulses.
The opposed impulses cannot be analyzed, when they are aroused by formal
means it is impossible to do so but sometimes it is possible to go a step
further then the criticism of the other arts.
Conclusion:-
Finally ,We are may conclude the present
discussion with such finding that imagination has its various concepts.Imgination
plays very vital role in creation of literature. The performance of tragedy
gives an opportunity to some basic instincts like pity and terror to come
out.
concepts.Imgination
plays very vital role in creation of literature. The performance of tragedy
gives an opportunity to some basic instincts like pity and terror to come
out.
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