Kanthapura
Raja Rao
Raja Rao first
novel Kanthapura is very significance to Gandhian politics .The novel presence ganthi’s impact on the south Indian village.There is mixture of fact
and fancy,history and legend and poetry.In the novel the storyteller is a grandmother
in the novel who narrates the his village and the villagers .The Theme OF Kanthapura” Gandhi and Our Village’.The style of
narration makes this book where Ganthipuran Gandhi is invisible god.
'Kanthapura'
portrays the participation of a small village of South India in the national
struggle called for by Mahatma Gandhi. Imbued with nationalism, the villagers
sacrifice all their material possessions in a triumph of the spirit, showing
how in the Gandhi an movement people shed their narrow prejudices and united in
the common cause of the non-violent civil resistance to the British Raj.
This village is a microcosm of the traditional Indian society with its entrenched caste hierarchy. In Kanthapura there are Brahmin quarters, Sudra quarters and Pariah quarters. Despite stratification into castes, however, the villagers are mutually bound in various economic and social functions which maintain social harmony. The enduring quality of the Indian village is represented as ensuring an internal tenacity that resists external crises, its relationship to past contributing a sense of unity and continuity between the present and past generations. Kanthapura may appear isolated and removed from civilization, but it is compensated by an ever-enriching cycle of ceremonies, rituals, and festivals.
Rao depicts the regular involvement of the villagers in Sankara-Jayanthi, Kartik Purnima, Ganesh-Jayanthi, Dasara, and the Satyanarayana Puja with the intention of conveying a sense of the natural unity and cohesion of village society. Old Ramakrishnayya reads out the Sankara-Vijaya day after day and the villagers discuss Vedanta with him every afternoon. Religion, imparted through discourses and pujas (prayers), keeps alive in the natives a sense of the presence of God. Participation in a festival brings about the solidarity among them. The local deity Kenchamma protects the villagers "through famine and disease, death and despair". If the rains fail, you fall at her feet. Equally sacred is the river Himavathy which flows near Kanthapura.
This village is a microcosm of the traditional Indian society with its entrenched caste hierarchy. In Kanthapura there are Brahmin quarters, Sudra quarters and Pariah quarters. Despite stratification into castes, however, the villagers are mutually bound in various economic and social functions which maintain social harmony. The enduring quality of the Indian village is represented as ensuring an internal tenacity that resists external crises, its relationship to past contributing a sense of unity and continuity between the present and past generations. Kanthapura may appear isolated and removed from civilization, but it is compensated by an ever-enriching cycle of ceremonies, rituals, and festivals.
Rao depicts the regular involvement of the villagers in Sankara-Jayanthi, Kartik Purnima, Ganesh-Jayanthi, Dasara, and the Satyanarayana Puja with the intention of conveying a sense of the natural unity and cohesion of village society. Old Ramakrishnayya reads out the Sankara-Vijaya day after day and the villagers discuss Vedanta with him every afternoon. Religion, imparted through discourses and pujas (prayers), keeps alive in the natives a sense of the presence of God. Participation in a festival brings about the solidarity among them. The local deity Kenchamma protects the villagers "through famine and disease, death and despair". If the rains fail, you fall at her feet. Equally sacred is the river Himavathy which flows near Kanthapura.
Kanthapura has been described as
the most satisfying of all modern Indian novels. Recognized as a major landmark
in Indian fiction, it is the story of how the Gandhian struggle for
Independence came to one small village in south India.
"There is more to Raja Rao's book than a morality tale. It is written in an elegant style verging on poetry; it has all the content of an ancient Indian classic, combined with a sharp satirical wit and a clear understanding of the present. The author's extensive notes (printed as an appendix) will prove invaluable to the general reader." - New York Times
"There is more to Raja Rao's book than a morality tale. It is written in an elegant style verging on poetry; it has all the content of an ancient Indian classic, combined with a sharp satirical wit and a clear understanding of the present. The author's extensive notes (printed as an appendix) will prove invaluable to the general reader." - New York Times
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